 PAM PATTERSON
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RESUME Performance and Visual Artist Contacts: 264 Bloor Street West, Box # 22588 Toronto, Ontario, M5S 1V8 416-895-0111 pampatterson@wiaprojects.com Associations: Association for Canadian Radio and Television Artists (ACTRA); Canadian Actors Equity Association (CAEA); Canadian Society for Education through Art (CSEA) (Director of Research 2015/16); International Society for Education through Art (InSEA); Canadian Association for the Study of Women and Education (CASWE), Canadian Artists Representatives of Canada (CARFAC). Education: PhD (2000), arts education & cultural studies, Curriculum, Teaching and Learning, OISE, University of Toronto. M.Ed. arts education, adult education, OISE, University of Toronto. Arts theory & practice, arts informed research methodologies, critical and cultural theory, postmodern curatorial practice, learning in non-school settings, feminist studies, disability studies, curriculum theory, performance and performativity, and museum education. B.A. Universities of Toronto & Waterloo. Theatre and Fine Art. LAMDA post-graduate program. Other training includes: Eugenio Barba (Odin Theatre, Denmark), John Broome (Stratford & LAMDA, movement) & Donald Himes (Feldenkrais), 40 Below (corporeal mime), Dance (Vera Davis, Toronto; LAMDA & Julliard, NYC). Certificate in Community-based Research, Wellesley Institute. My practice is performative and engages with/in diverse locations of/in culture. It is a practice that honours the self, the other(s) and the knowledge that is co-created. It is a practice that engages the self as a whole, a conversation among multiples -- diverse perspectives, experiences, modes of thinking and expressing. My study is in flux, in motion, as a place of multiple, interdisciplinary arts practices. I work from the specific, the personal, the local to explore structures, concepts, divergences and connections. Solo Performances: 2020: Fluting in Isolation: A COVID-19 Performance, for a Canada Council Strategic Initiatives Digital Futures COVID-19 project. 2015: Emily Speaks, Art Gallery of Ontario. 2014: Brick, Visualeyez, Latitude 53, Edmonton. Emigrante Desplazado… Independence DOM, Dominican Republic. 2013: “Walking” Home, Global Performance Art Walk. Curated by Ignacio Péréz,Venezuela. Transitional Interfaces, Canadian Society for Education through Art, Montreal. RED Square, Political Performance III, Serbia. 2012: Inter, Global Performance Art Walk. Curated by Ignacio Péréz, Venezuela. 2010: Late, 24hr Butoh…this is not Butoh (choreography: Don Himes), Cinecycle, Toronto. Glenora Crossing, Propeller Centre for the Visual Arts, Toronto. Swallowtail Light, Regent Theatre, Prince Edward County 2009: To the Lighthouse: A Momento Mori, DeLeon White Gallery, Toronto. Lighthousekeeping, Aceartinc, Winnipeg. 2008: Canto 1, Fleishman Gallery, Toronto. Cellu(h)er Resistance: The Body with/out Organs ? FADO Idea Series , XPACE Cultural Centre, Toronto. Travelling Body worlds: UK & Newfoundland. 2007-8: Emily Speaks, York University, University of Waterloo & Centennial College. 2006: Canc(H)er, in Pacing the Cage with ARTIFACTS for Collisions 2006, University of Victoria. Body as site/sight/cite, CASWE, Women and Health, York University. 2005: Body: Reclaimed in Community, Being Uncomfortable, Brown University, Rhode Island. Body in Extremis, Towards Tomorrow, Centre for Performance Research, University of Wales, berystwyth. 2004: Body as Sight/Site, 7A 11D International Performance Festival, A Space, Toronto. Bodysight: A Reclamation Project, Interdisciplinary Landscape, Goddard College, Vermont. Emily Speaks, Trent University. Demolishing da...... site, 4 Cardinals Project, Chile, Curator: Alexandre del Re. 2003: Body as Sight (Site), Committing Voice, Goddard College, Vermont. 2002: Hands On Environs, Breathworks, Waterfront Trail Artists, Toronto. 1999: Conversations in Context, Union Gallery, Queen’s University. Emily Speaks, Art Gallery of Ontario, Toronto. 1998: Emily Speaks, Edward Day Gallery, Kingston, Ont.; McMichael Canadian Art Collection. Tentanda Via, Hart House, University of Toronto. 1997: Emily Speaks, the Ontario Women’s History Network, Toronto; The Waring House, Picton, Ont. 1995: Emily Speaks, Hart House Performance Series, University of Toronto. 1992: Emily Speaks OSEA conference, Art Gallery of Ontario, Toronto; Visual Arts Centre of Newcastle,Bowmanville. 1991: Emily Speaks, SAFIRE, University of Western Ontario. This is my body, academia..., OISE, Toronto. Here's Rue for You, Hamilton Artists' Inc., Toronto. 1990: Rocking the Boat, Women's Common, Toronto; script published by Paperplates 1993. 1989: Remaking, Glenhyrst Gallery of Brant, Brantford. 1988: Remaking, Hamilton Artist's Inc., Hamilton. Emily Speaks, Niagara Artists' Centre, St. Catherines. 1986: Emily Speaks, Gallery 101, Ottawa; Kingston Artists' Assoc. Inc.; Hamilton Artists' Inc., Hamilton; The Banff Centre, Alberta. 1984: Emily Speaks, Women and Words Conference at A Space Gallery, Toronto. 1983: Emily Speaks, Women's Cultural Building, Toronto. Soundings of the Heart, Free Times Café, Toronto. Collaborative Performances (ARTIFACTS performances are with Pam Patterson): 2022: The Collective Scream Project, Connie Noyles, Chicago. 2022: Port to Port, with Alisa Oleva & international artists, Pier Projects, Felixstowe, UK. . 2020: Walk softly on the Land….with Christine Durant, Carbon Art & Design & Intersections: http://intersects.ca/ Terminalia: Walking Women in collaboration with Walking Women’s Network (ARTIFACTS & WIAprojects), Grange Park, Toronto for Terminalia, University of Wales, Aberystwyth. 2019: General(s) Labour, ARTIFACTS, Doors Open, 401 Richmond Street, Toronto. 2018: Dragging the Debate, ARTIFACTS, Maison Depoivre, PEC. 2017: Listening: On the Architecture of Aging, ARTIFACTS, Made of Walking, La Romieu, France. 2015: Precarity with Irene Loughlin and Adriana Disman, Margaret Dragu, Christine Brault, Link & Pin/RATS 9, Montreal July. Feminist Architectures: A Performance, ARTIFACTS for PROCESS, Artscape Youngplace, Toronto, 2014: Stillness, ARTIFACTS, Toronto/Bloomfield, WIAprojects. Discourse at Sea, New Dark Times Cabaret, ARTIFACTS with Sarah Sheard, Toronto Island. Provoking Collaboration, ARTIFACTS, Hart House, University of Toronto. 2013: Entertaining without a Maid, ARTIFACTS, Hart House, University of Toronto. A Time to Fall (WIAprojects). In collaboration with Amy Sharrocks (Sculpture Shock resident at the Royal British Society of Sculptors, London UK), Trinity Bellwoods Park, Toronto. Distended Topographies ARTIFACTS, EdgeZones, Miami International Performance Art Festival. Curator: Charo Oquette. Headaches II, ARTIFACTS, Feminist Art Conference, Toronto, ON. ROCK WALK, ARTIFACTS, Global Performance Walks 2013, curated by Ignacio Péréz. 2012: Pentimenti, ARTIFACTS, Gallery 1313, Toronto. Storm day, night jazz, ARTIFACTS, DPNCHC, WIAprojects, Toronto. Individual Points of Fiction, ARTIFACTS, A Space Gallery, Toronto. 60-60-60: A Performance Action, ARTIFACTS, CWSE Gallery. 2011: Palimpsest, ARTIFACTS, Toronto Free Gallery. 2010: Homage to Margaret: Cleaning and Loving It, ARTIFACTS, CWSE Gallery, OISE UT. International Women’s Day. 2009: At the Lighthouse: Death I'm So Over That, Gibralter Point Centre for the Arts (with Pam Patterson and John Oughton) Headaches II, ARTIFACTS, CWSE Gallery, OISE/UT. 2008: Neurotic Playground: Distress, Tension, Irritability, Red Head Gallery, Toronto (with Lo Bil). 2005: In/Valid, ARTIFACTS, CWSE, OISE/UT, Toronto. 2003: The Voyage Out... ARTIFACTS, Hysteria: A Festival of Women, Buddies in Bad Times Theatre, Toronto. Remnants and Recoveries: The Performance, ARTIFACTS, A Space Gallery, Toronto. 2001: Passing, ARTIFACTS, 7A 11D International Festival of Performance, Toronto. 2000: Fragments, ARTIFACTS, V. MacDonnell Gallery, Toronto. 1998: Dance with Chairs, with 9-year-old daughter, Erin Oughton, Yoko Ono Birthday, Toronto. 1993: Invoking the Grove with BAAWA, Royal Botanical Gardens, Hamilton. 1989: Crossing the Street, ARTIFACTS Hamilton Artists' Inc., Hamilton. A Story, ARTIFACTS, Euclid Theatre, Toronto. Detale (detail), ARTIFACTS, ROUNDUP, Toronto. Attending II, ARTIFACTS, A Space Gallery, Toronto. 1987: The 24-Karat Carrot with John Oughton, Robert Persichini, Tarragon Spring Arts Fair, Toronto. Attending the Interior, ARTIFACTS, The Banff Centre, Alberta. 1984: Suburban Mirage, ARTIFACTS, Winchester Street Theatre, Toronto. Headaches for the Unit, ARTIFACTS, Feminist Cabaret, Horseshoe Tavern, Toronto. Unwinding, ARTIFACTS, Alter Eros Festival, Toronto. 1983: Ghost Trio, ARTIFACTS, Theatre Centre, Toronto. Female Laundry, ARTIFACTS, A Space Gallery, Toronto. Madame X from Planet X, ARTIFACTS, Artifacts, Toronto. Entrapment, ARTIFACTS, Partisan Gallery, Toronto. Collective Performances: 2021: Skyline Walking, with artists from London UK, Ukraine, Russia, and Canada facilitated by Alisa Oleva, supported by Black Tower Broadcasts in conjunction with Urban Night Project: Midnight Sun, London, UK. 2020: City for Her joint IWD walk with artists from London UK, Glasgow, Scotland, Ukraine, Kiev Russia and Canada - supported by EU program House of Europe as a part of Femhouse Week: Women \ Cities \ Arts 2020: #WalkCollage with Alisa Oleva, Casson & Friends, London, UK (WhatsApp). http://www.cassonandfriends.com/candfblog/walkcollage National Day of Remembrance and Action Dec 6 @ 6, 14 Reading 14. ARTIFACTS & WIAprojects & OCADU. (zoom). walking next to each other with Alisa Oleva, Atom Art Group, London/Russia. (WhatsApp). 2020: safe/unsafe with Alisa Oleva - This project was part of "Woven Network / Women Network" - a 6-month virtual art-residence of 7 female artists from 5 European countries exploring the theme of invisible work and reinventing the hierarchic digital web into a horizontal network - supported by House of Europe and partnering with Mariupol (Ukraine), Intercult (Sweden) and Fablevision Studios (Scotland). I was invited to participate in this performance from Canada (WhatsApp). 2020: racing the Inside: A Collective Action with Alisa Oleva, Performistanbul (zoom). View from the Window: Collective Looking with Alisa Oleva, Artsvit gallery, Dnipro (zoom). Unlocked Walks No 4: 'touching with your eyes' with Alisa Oleva, the Residents Association, Edinburgh (zoom). Solo Exhibitions: 2020-2022: The Lads, Prince Edward Arts Council. 2020: What May I… Carbon Art & Design, Intersections, Prince Edward County. 2018: Undiminish’d in process, Gallery 1313, Toronto. 2017: Pleasure decodes for me another language…. The Vic, Prince Edward County, Curator: Hri Neil. 2011-12: Land: A Cornerstone, Sparkbox, Prince Edward County. 2008: Travelling, Fleishman Gallery & Centre for Contemporary Canadian Art, Toronto. Cellu(h)er Resistance: The Body with/out Organs? FADO Idea Series , Xpace Cultural Centre, Toronto. 1999: Sandbanks, Milford Coffee Gallery, Prince Edward County. 1998: Communitas in Context, Union Gallery, Queen’s University, Kingston. 1997: Guest Artist, Gallery 121, Belleville, Ont. 1995: Communitas in Context, Broadway Cinema Gallery, Hamilton. 1994: Mapping the Familial, Visual Arts Centre of Newcastle, Bowmanville. 1993: Mapping the Familial, Annex Art Centre Gallery, Toronto. Solo Collaborative or 2-Person Exhibitions: 2022: Artists@Work: Bodies of Labour, ARTIFACTS, Window Box Gallery, Gallery 1313, Toronto. 2019: Has the Artist Been Paid? ARTIFACTS, Carbon Art & Design, Prince Edward County. FACIO, ARTIFACTS, Process Gallery, Gallery 1313, Toronto. 2018: Tiny Homes: Everyone is Downsizing, ARTIFACTS, Window Box Gallery, Gallery 1313, Toronto. See Jane Run, with Natalie Piper as slit, Carbon, Prince Edward County. You Were Asking? with Rhonda Nolan, Artistic Inkings, Prince Edward County. The past whispers, ARTIFACTS, Fleishman Gallery, Toronto,. 2017: ARTIFACTS’ ARTEFACTS: the generals, ARTIFACTS, Process Gallery, Gallery 1313. 2015: Feminist Architectures ARTIFACTS with Dina Georgis, Adrienne Reynolds, Artscape Youngplace/WIAprojects/FAC. 2013: Headaches II, ARTIFACTS, Feminist Art Conference, Toronto, ON. Curator: Ilene Sova. 2012: Individual Points of Fiction, ARTIFACTS, A Space, 401 Richmond Street, Toronto. 2011: Performing Acts, ARTIFACTS, Toronto Free Gallery. 2009: Headaches 2, ARTIFACTS, CWSE, OISE/UT. 2006: In/Valid, ARTIFACTS, CWSE, OISE/UT. 2001: Artifacts: Remnants and Recoveries, an ARTIFACTS retrospective, ARTIFACTSBelleville Public Gallery. 1999: Holding (a small boat on a blue-black sea), ARTIFACTS, WARC, Toronto. 1998: Like a Brief Breeze, ARTIFACTS, The Banff Centre, Toronto. 1997: Like a Brief Breeze, ARTIFACTS, Annex Art Centre, Toronto. 1996: Like a Brief Breeze, ARTIFACTS, Hamilton Artists Inc. Group Exhibitions: 2022: “and all of a sudden”, Propeller Gallery, Toronto (juried - catalogue). Kombrebi, Kal Portman, Walking the Land, UK. I AM HERE: Home Movies and Everyday Masterpieces, Art Gallery of Ontario. Landscape II, Gallery 1313, Toronto. Port-to-Port, project developed and coordinated by Alisa Oleva, & Pier Projects, 113Research, OCAD University. DRAWING 2022, John B. Aird Gallery, Toronto (catalogue). 25th Anniversary Exhibition, Gallery 1313, Toronto. The Portrait Show, Gallery 1313, Toronto. Still Life (collaborative work with ARTIFACTS & Miklos Legrady) John B. Aird Gallery, Toronto 2021: Portraits of Resilience, Art Gallery of Ontario (online - group) heART of healthCARE, Changing Landscapes, Gallery 1313, Toronto (online). unpacking pandemic pondering: strain, stress, and subversion Gallery 1313/OCAD University, Toronto (online). COLLAGE 2021, John B. Aird Gallery, Toronto, ON (online). The Lockdown Show, Gallery 1313, Toronto (online). Fempocalypse 2021, Nightwood Theatre (online). 2020: Brave New World, Gallery 1313, Toronto. Eco-Art 2020, Gallery 1313, Toronto. Being Radical, CSEA online exhibit, with Angie Ma,Vicky Talwar, LeilaTalei https://csea-scea.ca/portfolio-item/pam-patterson-2/ Storying Loss: A Critical Analysis Process for/as Pedagogy, 113Research, OCAD University, Toronto with Leila Talei, Angie Ma & Vicky Talwar. 2019: Artists@Work, ARTIFACTS, Carbonized, Carbon Art & Design, Prince Edward County. Fordnation, with Nat Piper, Pam Patterson & Caleb Murray for The Artists Protest Project, (projection for Nuit Blanche, The Gladstone & Samara Contemporary Gallery, Toronto). Positive Masculinities, Maison Depoivre, PEC, ON. Land-LIMINALITY-Loss with Leila Talei, Angie Ma, & Vicky Talwar, OCADU Graduate Gallery. Precarity/Parity, Art Textile, Maison Depoivre, Picton, ON. See Jane Run by slit with Nat Piper, Roots and Tendrils, MAAWA, Winnipeg, MN. The Portrait Exhibition, as ARTFACTS, Gallery 1313, Toronto. 2018: Fordnation with Nat Piper, Pam Patterson & Caleb Murray for Artists’ Protest Project. Positive Masculinity, Maison Depoivre, PEC. Land(e)scape, with Natalie Piper as slit forLandscape, Gallery 1313, Toronto. Sunset – West Point, Carbon: Art & Design, Prince Edward County, ON. The Listening Ground, ARTIFACTS & Miklos Legrady, ECO ART, Gallery 1313, Toronto. The Gathering - Pluralism in Arts Practice - Contemporary Intersections, OCAD U, Toronto. Kilkenny Arts Festival, Shankill Fringe Exhibit, Kilkenny, Ireland. OSA Open Juried Exhibition, ARTIFACTS, John B. Aird Gallery,. 2017: Who are You? Red Head Gallery, Nuit Blanche. MAAWA: Feminist Futures, MAAWA, Winnipeg. County Contemporary II, ARTIFACTS, Prince Edward County. FAC 2017, OCAD University 2016: County Contemporary, Prince Edward County. 2015: f generation: feminism, art, progressions, George Paton Gallery, University of Melbourne, Australia. 2015: The War Report with Hri Neil, Pam Patterson, Sylvat Aziz, as ARTIFACTS - WIAprojects, Prince Edward County. 2015: Provocations, ARTIFACTS with Miklos Legrady, FAC 2015, Toronto. Feminist FOMONOMO, OCAD University, ARTIFACTS with Miklos Legrady. 2012: Autopathographies, Oboro Gallery, Montreal, Curator: Tamar Tembeck. 2011: Wildfire: The Milkweed Collective, Le Studio Gallery, Lafontaine, ON. In/Valid, ARTIFACTS, Being She: The Culture of Women’s Health and Health Care through the Lens of Wholeness, Gladstone Hotel & Women’s College Hospital. 2010: The Trans-Cultural: Women in Performance, CWSE Hallway Gallery, Toronto. 2009: Autopathographies, Künstlerhaus Büchsenhausen, Innsbruck, Austria. Curator: Tamar Tembeck. Artists of the Gallery, Hangman Gallery, Toronto. 2006: Solstice, Wonderworks Gallery, Toronto. 2004: Baghdad Museum, BAAWA, Visual Arts Centre of Clarington, Propeller Gallery (Toronto), The Latcham Gallery, Stouffville. 2002: Performance Art Today Project, International Multimedia Art Festival, Odzaci, Yugoslavia. The Road Less Travelled, Arts Project, London, ON. 2001: Travelling Between Worlds: Locations/Dislocations/Relocations, with Sylvat Aziz at WARC Gallery, Toronto and with Carol Laing and Sylvat Aziz, Union Gallery, Queen’s University, Kingston. 1999: On the Land: Shaping the County, Ameliasburg Museum, Prince Edward County, (3-person show). 1997: The Toy Show, A Space Gallery, Toronto. The Boxing Day Show, A Space Gallery, Toronto. 1996: Text, Burlington Art Centre, Burlington (4 person show). Consanguinity: A Familial Connection, Annex Art Centre, Toronto. Celebration of Women in the Arts, University of Toronto. 1995: The C.H.I.L.D. Project, Gallery Gachet, Vancouver B.C. Moving Memories, Arts in Action, Toronto. Defining the Site, Art Gallery of HamiltonHamilton. The Lunchbucket Revisited, Hamilton Artists Inc., Hamilton. Domestic Objects and Other Stories, BAAWA, Annex Art Centre, Toronto. Thank You Stew, Arts in Action, Toronto. BAAWA International Women's Day Exhibition, The Broadway Cinema Gallery, Hamilton. 1994: Proximities: The You Are Here Factor, BAAWA, Hamilton Artist's Inc. 1993: Invoking the Grove, BAAWA, Royal Botanical Gardens, Hamilton. 1992: Birthtales, A Space Gallery, Toronto. The Quality of Daily Life: A Woman's Business, Barrie City Hall, Barrie. 1991: The Flower Show, BAAWA, Hamilton Artists' Inc., Hamilton. Don't Remain Silent, A Space Gallery, Toronto. Curator: Susan Beamish. 1990: Labour of Love: Feminist Perspectives on Motherhood, Women's Common, Toronto. Housing, A Right, The Power Plant, Toronto. Don't Remain Silent, Woman's Common, Toronto. 1989: The Eccentric Furniture Show, BAAWA, Glenhyrst Gallery of Brant, Brantford. Video: 2022: Video contribution to Lyla Rye’s Illusion’s Obstacles, Cambridge Art Galleries. 2021: COVID Anxiety (video) Navigating and Creating, CSEA Online Juried Exhibition (w/ Daniel Payne and Joanna Black) Fluting (w/ Daniel Payne), Fempocalypse 2021, Nightwood Theatre. 2020: COVID-19 Anxiety: Location, Refuge & Loss, for a Canada Council Strategic Initiatives Digital Futures COVID-19 project with Joanna Black & Daniel Payne. 2019: Artists@Work with Hri Neil, ARTIFACTS, Carbon Art & Design, Prince Edward County. 2018: Pam Patterson: Selected Retrospective, Carbon Art & Design, Prince Edward County. 2014: Loving in the War Years, County Contemporary II, Prince Edward County. 2013: RED Square, videoperformance, TorinoPERFORMANCEART International Festival 2013, Turin, Italy. 2010: Cellu(h)er Resistance: A body with/out organs? In/Tensions, York University, Toronto. 2007-9: Now we are dancing.... with Nancy Halifax. 2006: Taking action: Right(s) in/to health and the body with Charles Garoian and Faith Wilding, Performance Studies International#12, Queen Mary College, London, U.K . 2002: ARTIFACTS performs, ARTIFACTS, HIVE, Toronto. 1989: A Story, ARTIFACTS. Audio: 2022: An Arm Raised, Gatehouse Project (poetry - audio & publication) 1991: Women and Words, CIUT Radio, Toronto. 1987: Punningly she lunged... , CKLN Radio, Toronto. Articles/Short Essays//Interviews/Reviews About: 2021: Zoratti, J. (2021). Anxiety Unmasked, Winnipeg Free Press, 15/04/2021 D001. Paradis, S. (2021). COVID-19 Anxiety in the Age of the Anthropocene, Research Life University of Manitoba, Winter, Vol 1, p. 23. ARTIFACTS: Generals Labour, Emergency Index Vol 9, Brooklyn NY: Ugly Duckling Presse. Public Art in the Pandemic in Grapevine, County FM 99.3 , Friday Feb 19th 12:30pm & 6pm. 20 X 20 Visions, Talking Walking, Museum of Walking, Andrew Stuck (Editor) London, UK. ARTIFACTS: Dragging the Debate, Emergency Index Vol 8, Brooklyn NY: Ugly Duckling Presse. 2019: ARTIFACTS: Listening: On the Architecture of Aging, Emergency Index Vol 7, Brooklyn NY: Ugly Duckling Presse. 2018: Art Resonance, Snap’d, Bloor West, Toronto. 2017: Talking/Walking with ARTIFACTS: Pam Patterson & Pam Patterson. http://www.talkingwalking.net/ 2014: Autopathographies: Illness, (Self-) Representation, Collaboration, Auto/Pathographies by Tamar Tembeck (Alma QC: Sagamie) 2008: A Journey around Pam Patterson's Cellu(H)er Resistance by John Oughton, FADO, Idea Series. 2007: The Scar of Visibility: Medical Performances and Contemporary Art by Petra Kuppers,Minneapolis: University of Minnesota Press. 2004: What if Art Acts? by Paul Couillard. In Caught in the Act: An Anthology of performance art by Canadian Women, by Tanya Mars & Johanna Householder (Toronto: YYZ Press) 2001: Beyond the Framework, The Intelligencer, Sun. Aug.12. Performance Artists ask what if art acts? The Community Press, Aug. 10. A Review: Mapping the (un)familiar, Resources for Feminist Research, 28 (½). 1992: Birthtales: Forbidden Work by Hidden Artists, Women’s Art Magazine (England), #47, July/Aug. 1991: Labour of Love: Feminist Perspectives on Motherhood, MATRIART: A Canadian Feminist Art Journal 1(1). 1990: Arresting Images Recall Tragic Shootings, Globe and Mail, Toronto, July 21. 1989: When Does Furniture Become Art? Hamilton Spectator, Hamilton. 1984: Top Loading Performance Art, NOW, Toronto. Scripts - Performance, Theatre, Radio: 2002: The Girls, performance script, Art Gallery of Ontario, Toronto. 1991: This is my body academia..., performance, Ontario Institute for Studies in Education, Dec. Here's Rue for You, performance, Hamilton Artists' Inc., June. Women and Words, radio, CIUT FM Toronto. 1990: Rocking the Boat, performance, Woman's Common, Toronto. Published 1994 in Paperplates 2 (1). 1989: Crossing the Street, performance, ARTIFACTS, Hamilton Artists' Inc., Nov. A Story, performance/video, ARTIFACTS performed by Pam Patterson, Euclid Theatre, Toronto. Detale (detail), performance, ARTIFACTS,with Pam Patterson, Roundup, Toronto. Attending II, performance, ARTIFACTS,with Pam Patterson, A Space Gallery, Toronto Radio short for CKLN radio, Toronto. 1988: Remaking, performance, Hamilton Artists' Inc. 1987: A Pocketful of Posies, theatre/performance, with Mark Norris, Banff InterArts production directed by Jill Rosenberg. Attending the Interior, performance, ARTIFACTS,with Pam Patterson, The Banff Centre, June. Punningly She Lunged..., radio play, CIUT FM, Toronto. The 24 Karat Carrot, play, Tarragon Spring Arts Fair, Toronto. 1983: Entrapment, ARTIFACTS,performance, with Pam Patterson, Partisan Gallery, produced by Women's Perspectives. Emily Speaks, Woman's Cultural Building, March. Soundings of the Heart, performance, Free Times Café, Toronto. Performed with Geordie MacDonald. Selected Recent Experience: Artist in Residence: The Art of Conversation a creative community-based isolation/connection project in collaboration with/funded by Community Care for Seniors and the Prince Edward Arts Council (February – April 2021). Dissemination as book: traveling mattes, Toronto/WIAprojects. Shankill Castle Residency, Ireland (Sept. 2017). Artistic Director, WIAprojects, an arts-informed, feminist-inspired exhibition, publication, research, and mentoring program at the CWSE, OISE U. of T. (2004 until June 2019) & at Gallery 1313 (2018-present). Gallery Assistant and Educator: 2Gallery, Prince Edward County (2019-2021). Director/Committee Chair, 113Research: Exhibitions, OCAD University, Toronto (since 2019). Assistant Professor, TIS, Cross-Disciplinary, Faculty of Art, OCAD University (since 2010). Research Fellow, NSCAD, Graduate Art Education (July 2019-present) Educator, Westin Family Learning Centre, AGO (11 years to 2011). Co-director, ARTIFACTS Performance Art Inc., Toronto (1983-present) Former Head, Fibre, & Curator for Art in Public Spaces, The Banff Centre. Selected Service: Guest Editor, Canadian Art Teacher, CSEA, (2019-2020) Former Head, Fibre, & Curator for Art in Public Spaces, The Banff Centre. Founding BOD for FADO International Performance Art Founding BOD member, Matriarts: A Canadian Feminist Art Journal, WARC, Toronto . Awards: Ontario Arts Council, Arts Response Initiative: Project Grants for Individuals (2021). Manitoba Arts Council grant for “COVID-19 anxiety in the age of the Anthropocene”, Joanna Black (PI). Creative Works Project Grant for “COVID-19 anxiety in the age of the Anthropocene”, University of Manitoba (2020) (Co-Applicant, Joanna Black, PI) Canada Council for the Arts - Strategic Funds and Initiatives Digital Originals (2020) (PI) Seed Development Grant, OCADU for COVID-19 anxiety: Investigating social and political implications of “location,” “refuge,” and “loss” in the Anthropocene (2020) (PI) Ontario Arts Council, Exhibition Assistance Grants: (approx. three/year to a yearly total of $2000 -1989-present) Deaf and Disability Visual Art Materials Grant, Ontario Arts Council (2018, 2020) Gaitskell Award, Canadian Society on Education through Art, 2018, CSEA – outstanding lifetime contribution to research and teaching in art education. Belleville Community Arts & Culture Grant (2017– mentor WIAprojects’ for Candace Wilkins) Inspired Teaching Award, Faculty & Curriculum Development Centre (FCDC), OCADU (2014) Toronto Arts Council Project Grants for WIAprojects (2012/13, 2013/14) Jackman Humanities Institute Program for the Arts, UTSC/WIAprojects, University of Toronto (2011-12) Cultural Pluralism and the Arts, UTSC, University of Toronto (4): (2010-2013) Canada Council Travel Grants (2): (2005, 2008) Ontario Arts Council, Visual & Media Arts Project Grant (2002) OISE Graduate Bursary for PhD, University of Toronto (1999-2000) PhD Scholarship, University of Toronto (1993-95). Writer's Recommender Grant, OAC, Second Story Feminist Press (1993). Creative Artist in the Schools, OAC (3): (Feb. 1984, Dec. 1984, Oct. 1986). Playwright Recommender Grants (2), OAC, Factory Theatre Lab, Nightwood Theatre (1984). <<--back to top of page
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